{"id":19,"date":"2013-08-11T16:35:22","date_gmt":"2013-08-11T16:35:22","guid":{"rendered":"http:\/\/douglasglover.net\/?page_id=19"},"modified":"2019-08-30T11:29:37","modified_gmt":"2019-08-30T15:29:37","slug":"critical-bibliography-links","status":"publish","type":"page","link":"https:\/\/douglasglover.net\/?page_id=19","title":{"rendered":"Critical Bibliography"},"content":{"rendered":"<p><span style=\"color: #ffffff;\">&gt;<\/span><\/p>\n<p><em><a href=\"http:\/\/www.oberonpress.ca\/titles\/?v=2004#art_of_desire\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"547\" data-permalink=\"https:\/\/douglasglover.net\/?attachment_id=547\" data-orig-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0023.jpg\" data-orig-size=\"314,480\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;HP Scanjet 4800&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"scan0023\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0023.jpg\" data-large-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0023.jpg\" class=\"alignright wp-image-547\" style=\"border: 1px solid black; margin-left: 40px; margin-right: 40px;\" title=\"The Art of Desire\" src=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0023.jpg\" alt=\"Douglas Glover\" width=\"212\" height=\"325\" srcset=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0023.jpg 314w, https:\/\/douglasglover.net\/wp-content\/uploads\/scan0023-111x170.jpg 111w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/a><\/em><\/p>\n<p style=\"text-align: justify;\"><em><a href=\"http:\/\/www.oberonpress.ca\/titles\/?v=2004#art_of_desire\" target=\"_blank\" rel=\"noopener\">The Art of Desire, The Fiction of Douglas Glover<\/a><\/em>, Edited by Bruce Stone, Ottawa: Oberon Press, 2004. <em>(Essays by Bruce Stone, Louis K. MacKendrick, Claire Wilkshire, Lawrence Mathews, Phil Tabakow, Don Sparling, Philip Marchand, &amp; Stephen Henighan.)<\/em><\/p>\n<h3 style=\"text-align: justify;\">Table of Contents<\/h3>\n<p>A Writer&#8217;s Guide to Douglas Glover&#8217;s Fiction &#8212; The Fictions of Douglas Glover, A Preliminary Survey &#8212; The Voices Voice Comprises: Incorporation, First-Person Narration and Gender Performance in Douglas Glover&#8217;s &#8220;Red&#8221; &#8212; &#8220;Some Wonderful Linguistic Game Above Believing&#8221;: Meaningfulness in Two Stories by Douglas Glover &#8212; &#8220;They Are Just Like Us Except&#8230;.&#8221;: Ironic Reconsiderations of Canadian\/American Stereotypes in &#8220;Swain Corliss, Hero of Malcolm&#8217;s Mills (now, Oakland, Ontario), November 6, 1814&#8221; &#8212; Historical Fiction and Douglas Glover&#8217;s <em>The Life and Times of Captain N.<\/em> &#8212; <em>The Problem of the Artist in 16 Categories of Desire<\/em> &#8212; &#8220;I Blame Printed Books&#8221;: Reading Douglas Glover&#8217;s <em>Elle<\/em> through <em>Don Quixote<\/em> &#8212; Styles of Approach: Bruce Stone Interviews Douglas Glover<\/p>\n<p style=\"text-align: justify;\"><em>[Click on the link or the cover image to buy the book.]<\/em><\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #ffffff;\">\u00a0<\/span><\/h3>\n<h3 style=\"text-align: justify;\"><a href=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0011-001.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"545\" data-permalink=\"https:\/\/douglasglover.net\/?attachment_id=545\" data-orig-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0011-001.jpg\" data-orig-size=\"310,480\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;HP Scanjet 4800&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"scan0011-001\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0011-001.jpg\" data-large-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0011-001.jpg\" class=\"wp-image-545 alignleft\" style=\"border: 1px solid black; margin-left: 40px; margin-right: 40px;\" title=\"Review of Contemporary Fiction\" src=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0011-001.jpg\" alt=\"Douglas Glover\" width=\"190\" height=\"295\" srcset=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0011-001.jpg 310w, https:\/\/douglasglover.net\/wp-content\/uploads\/scan0011-001-109x170.jpg 109w\" sizes=\"auto, (max-width: 190px) 100vw, 190px\" \/><\/a>General Essays<em><strong><br \/>\n<\/strong><\/em><\/h3>\n<p>&#8220;<a href=\"https:\/\/www.3ammagazine.com\/3am\/of-snow-and-corpses-facets-of-douglas-glovers-fiction\/\" target=\"_blank\" rel=\"noopener\">of snow and corpses: facets of douglas glover\u2019s fiction<\/a>&#8221; by Bruce Stone, 3:AM Magazine, August, 2019.<\/p>\n<p style=\"text-align: justify;\">\u201c<a href=\"http:\/\/www.amazon.com\/Review-Contemporary-Fiction-Spring-2004-Spring\/dp\/1564783642\/sr=1-14\/qid=1172027535\/ref=sr_1_14\/102-1661187-8808121?ie=UTF8&amp;amp;s=books\" target=\"_blank\" rel=\"noopener\"><em>Douglas Glover<\/em><\/a>\u201d by Bruce Stone, <em>The Review of Contemporary Fiction<\/em>, Spring 2004; reprinted in <a href=\"http:\/\/www.oberonpress.ca\/titles\/?v=2004#art_of_desire\" target=\"_blank\" rel=\"noopener\"><em>The Art of Desire, The Fiction of Douglas Glover<\/em><\/a>, Edited by Bruce Stone, Ottawa: Oberon Press, 2004.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">&gt;<\/span><\/p>\n<h3 style=\"text-align: justify;\">On <em>The Enamoured Knight<\/em><\/h3>\n<p style=\"text-align: justify;\">\u201c<a href=\"http:\/\/denverquarterly.com\/upload\/images\/riker.pdf\" target=\"_blank\" rel=\"noopener\">The Enamoured Critic: Douglas Glover Reads Don Quixote<\/a>\u201d by Martin Ryker, <em>The Denver Quarterly, <\/em>V.40, No. 3, 2006.<em><br \/>\n<\/em><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #f8f8f8;\">.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">&gt;<\/span><\/p>\n<h3 style=\"text-align: justify;\">On<em> Elle<\/em><\/h3>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0021.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"557\" data-permalink=\"https:\/\/douglasglover.net\/?attachment_id=557\" data-orig-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0021.jpg\" data-orig-size=\"307,480\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;HP Scanjet 4800&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"scan0021\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0021.jpg\" data-large-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0021.jpg\" class=\"alignright wp-image-557\" style=\"border: 1px solid black; margin-left: 40px; margin-right: 40px;\" src=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0021.jpg\" alt=\"Douglas Glover\" width=\"190\" height=\"295\" \/><\/a>\u201cElle de Douglas Glover: Une satire m\u00e9nipp\u00e9ene,\u201d by Haijo Westra and Adam Westra, <em>Littoral<\/em>, Num\u00e9ro 5, autumne 2010. [Translated into English] \u201c<a href=\"http:\/\/numerocinqmagazine.com\/2011\/02\/03\/douglas-glover%E2%80%99s-elle-a-menippean-satire-by-haijo-westra-adam-westra\/\" target=\"_blank\" rel=\"noopener\">Douglas Glover\u2019s Elle: A Menippean Satire<\/a>,\u201d by Haijo Westra and Adam Westra, <em>Num\u00e9ro Cinq<\/em><\/p>\n<p style=\"text-align: justify;\">\u201c<a href=\"http:\/\/numerocinqmagazine.com\/2011\/03\/04\/i-am-a-landscape-of-desire-gender-genre-and-the-deconstruction-of-the-textuality-of-empire-in-douglas-glover%E2%80%99s-elle-an-essay-by-pedro-m-carmona-rodriguez\/\" target=\"_blank\" rel=\"noopener\">I am a Landscape of Desire: Gender, Genre and the Deconstruction of the Textuality of Empire in Douglas Glover\u2019s Elle<\/a>,&#8221; by Pedro Carmona Rodr\u00edguez, Proceedings of the 29th AEDEAN Conference: Universidad de Ja\u00e9n 15 al 20 diciembre 2005. CD-ROM. Ed. Alejandro Alcaraz Sintes et al. Ja\u00e9n: AEDEAN \/ Servicio de Publicaciones U de Ja\u00e9n, 2006. 539-45.<\/p>\n<p style=\"text-align: justify;\">\u201c\u2018\u2026[D]estined always to be on the edge of things\u2019: Prolegomenon to a Dialogue of Transdisciplinary and Curriculum Theory\u201d by Patrick Howard, <em>Journal of Curriculum Theorizing<\/em>, Vol. 20. Iss. 4 p.45, Winter 2004<\/p>\n<p style=\"text-align: justify;\">\u201cCanadian Crusoes from Sea to Sea: The Oceanic Communities of Douglas Glover\u2019s Elle and Yann Martel\u2019s Life of Pi\u201d by John Clement Bell, Moveable Margins, <em>The Shifting Spaces of Canadian Literature<\/em>, Chelva Kanaganayakam, ed., TSAR Publications, Toronto, 2005<\/p>\n<p style=\"text-align: justify;\">\u201cSurviving the Metaphorical Condition in Elle : Douglas Glover\u2019s Impersonation of the First French Female in Canada\u201d by Mar\u00eda Jes\u00fas Hern\u00e1ez Lerena, <em>Canon Disorders: Gendered Perspectives on Literature and Film in Canada and the United States<\/em>, Darias Beautell, Eva, and Mar\u00eda Jes\u00fas Hern\u00e1ez Lerena, eds., Ed. Logro\u00f1o: Universidad de La Rioja\/Universidad de La Laguna, 2007<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0022.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"552\" data-permalink=\"https:\/\/douglasglover.net\/?attachment_id=552\" data-orig-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0022.jpg\" data-orig-size=\"340,480\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;HP Scanjet 4800&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"scan0022\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0022.jpg\" data-large-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0022.jpg\" class=\" wp-image-552 alignleft\" style=\"border: 1px solid black; margin-left: 40px; margin-right: 40px;\" title=\"Canon Disorders\" src=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0022.jpg\" alt=\"Douglas Glover\" width=\"218\" height=\"307\" srcset=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0022.jpg 340w, https:\/\/douglasglover.net\/wp-content\/uploads\/scan0022-120x170.jpg 120w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><\/a>\u201cVisited Graves in Colonial Cemeteries: The Resurrection of Marguerite de Roberval\u201d by Mar\u00eda Jes\u00fas Hern\u00e1ez Lerena, <em>Canada Exposed\/Le Canada a decouvert<\/em>, Peter Lang Publishing, Berlin, New York, Brussels, Oxford, 2009<\/p>\n<p style=\"text-align: justify;\">\u201cA Canadian Bear, A Woman\u2019s Heart: Douglas Glover\u2019s Elle and Marian Engel\u2019s Bear,\u201d Christl Verduyn, <em>TransCanadiana: Polish Journal of Canadian Studies<\/em>, Vol. 1 (2008): 74-85.<\/p>\n<p style=\"text-align: justify;\">\u201cSelf as Garbled Translation: Douglas Glover\u2019s Elle\/Elle,\u201d in <em>Traduire depuis les marges\/Translating from the Margins<\/em>, Christl Verduyn, Denise Merkle, Jane Koustas, Glen Nichols and Sherry Simon, eds. Montreal: Edition Nota Bene, 2008. 59-74.<\/p>\n<p style=\"text-align: justify;\">\u201c<a href=\"http:\/\/dspace.flinders.edu.au\/jspui\/bitstream\/2328\/25492\/1\/Bears_Bodies_and_Boundaries.pdf\" target=\"_blank\" rel=\"noopener\">Bears, Bodies and Boundaries in Douglas Glover\u2019s Elle: A Novel<\/a>\u201d Ruta \u0160lapkauskaite, <em>Transnational Literature<\/em>, Volume 4, Issue 1, November 2011.<\/p>\n<p>\u201c\u2018Amerique, terre des metamorphoses!\u2019 Relecture du mythe americain dans Le pas de l&#8217;ourse de Douglas Glover\u201d by Nova Doyon, <i>Quebec Studies<\/i>, 53, Spring-Summer, 2012.<\/p>\n<p style=\"text-align: justify;\">&#8220;Cartographic Dissonance: Between Geographies in Douglas Glover&#8217;s <em>Elle<\/em>&#8221; by Rachel Bryant, <em>Canadian Literature<\/em>, #220, Spring, 2014.<\/p>\n<p style=\"text-align: justify;\">\u201cMad Translation in Leonard Cohen\u2019s <em>Beautiful Losers<\/em> and Douglas Glover\u2019s <em>Elle<\/em>\u201d by Robert Stacey, <em>English Studies in Canada<\/em>, Vol. 40, Issue 2-3 (June\/September 2014).<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">&gt;<\/span><\/p>\n<h3 style=\"text-align: justify;\"><em><strong><a href=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0020.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"533\" data-permalink=\"https:\/\/douglasglover.net\/?attachment_id=533\" data-orig-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0020.jpg\" data-orig-size=\"301,480\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Picasa&quot;,&quot;camera&quot;:&quot;HP Scanjet 4800&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"scan0020\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0020.jpg\" data-large-file=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0020.jpg\" class=\"alignright wp-image-533\" style=\"margin-left: 40px; margin-right: 40px;\" title=\"Ripostes\" src=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0020.jpg\" alt=\"Douglas Glover\" width=\"185\" height=\"295\" srcset=\"https:\/\/douglasglover.net\/wp-content\/uploads\/scan0020.jpg 301w, https:\/\/douglasglover.net\/wp-content\/uploads\/scan0020-106x170.jpg 106w\" sizes=\"auto, (max-width: 185px) 100vw, 185px\" \/><\/a><\/strong><\/em>On <em>The Life and Times of Captain N.<\/em><\/h3>\n<p style=\"text-align: justify;\">\u201c<a href=\"http:\/\/numerocinqmagazine.com\/2011\/11\/02\/becoming-masks-the-life-and-times-of-captain-n-at-n-1-dimensions-essay-by-cheryl-cowdy\/\" target=\"_blank\" rel=\"noopener\">On Becoming Masks: The Life and Times of Captain N. at n-1 Dimensions<\/a>\u201d by Cheryl Cowdy Crawford, Henry Street, 1999<\/p>\n<p style=\"text-align: justify;\">\u201c<a href=\"http:\/\/www.phil.muni.cz\/plonedata\/wkaa\/BSE\/BSE_1997-23_Scan\/BSE_23_11.pdf\" target=\"_blank\" rel=\"noopener\">Historical Fiction and Douglas Glover\u2019s The Life and Times of Captain N.<\/a>\u201c by Don Sparling, Brno Studies In English 23, 1997<\/p>\n<p style=\"text-align: justify;\">\u201cWhy Everybody Loves Indians\u201d by Philip Marchand, <em>Ripostes, Reflections on Canadian Literature<\/em>, The Porcupine\u2019s Quill, Erin, Ontario, 1998<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">&gt;<\/span><\/p>\n<h3 style=\"text-align: justify;\">On Individual Stories<\/h3>\n<p style=\"text-align: justify;\">\u201cThe Voices Voice Comprises: Incorporation, First-Person Narration and Gender Performance in Douglas Glover\u2019s \u2018Red\u2019\u201d by Claire Wilkshire, <em>Canadian Literature<\/em>, Issue 158, Autumn, 1998<\/p>\n<p style=\"text-align: justify;\">On \u201cWhy I Decide To Kill Myself And Other Jokes\u201d\u201cStructural Unity in Fiction\u201d by Sandra Novack, <em>Descant Magazine<\/em>, Summer, 2006<\/p>\n<p style=\"text-align: justify;\">\u201cWriting from the Sidelines: Peripheral Critique in Douglas Glover\u2019s \u201cState of the Nation\u2019\u201d by Adam Beardsworth,<em> Short Story, New Series<\/em>, Volume 13, No. 1, Spring, 2005<\/p>\n<p style=\"text-align: justify;\">\u201c<a href=\"http:\/\/journals.hil.unb.ca\/index.php\/SCL\/article\/view\/15295\/16397\" target=\"_blank\" rel=\"noopener\">Romancing the \u2018Mysterious Bonds of Syntax\u2019: Allegory and the Ethics of Desire in Douglas Glover\u2019s \u2018My Romance\u2019 and \u2018Iglaf and Swan<\/a>\u2019\u201d by Adam Beardsworth, S<em>tudies in Canadian Literature<\/em>, Volume 30.2, 2005<\/p>\n<p>\u201cInvisible Ethnicity: Canadian Erasure, Vanishing Dutchness\u201d by Aritha van Herk, <em>Aesthetic Practices and Politics in Media, Music, and Art: Performing Migration<\/em>, Edited by Davis, Fischer-Hornung, and Kardux, Routledge, New York, 2011. (&#8220;The Indonesian Client&#8221;)<\/p>\n<p><span style=\"color: #ffffff;\">&gt;<\/span><\/p>\n<h3>Memoir<\/h3>\n<p>\u201c<a href=\"http:\/\/www.amazon.com\/Biography-Glover-Douglas-Contemporary-Authors\/dp\/B0007SGE0U\/sr=8-13\/qid=1172022093\/ref=sr_1_13\/102-1661187-8808121?ie=UTF8&amp;amp;s=books\" target=\"_blank\" rel=\"noopener\">The Familiar Dead<\/a>\u201d Contemporary Authors Autobiography Series, Vol. 23, Gale Research (1996); Reprinted in <a href=\"http:\/\/www.oberonpress.ca\/titles\/?v=selected#notes_home_from_a_prodigal_son\" target=\"_blank\" rel=\"noopener\"><em>Notes Home from a Prodigal Son<\/em><\/a>, Oberon Press, 1999.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">&gt;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&gt; The Art of Desire, The Fiction of Douglas Glover, Edited by Bruce Stone, Ottawa: Oberon Press, 2004. (Essays by Bruce Stone, Louis K. MacKendrick, Claire Wilkshire, Lawrence Mathews, Phil Tabakow, Don Sparling, Philip Marchand, &amp; Stephen Henighan.) Table of Contents A Writer&#8217;s Guide to Douglas Glover&#8217;s Fiction &#8212; The Fictions of Douglas Glover, A&hellip; <a href=\"https:\/\/douglasglover.net\/?page_id=19\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":39,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-19","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P3OdoH-j","_links":{"self":[{"href":"https:\/\/douglasglover.net\/index.php?rest_route=\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/douglasglover.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/douglasglover.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/douglasglover.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/douglasglover.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19"}],"version-history":[{"count":57,"href":"https:\/\/douglasglover.net\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":7668,"href":"https:\/\/douglasglover.net\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions\/7668"}],"up":[{"embeddable":true,"href":"https:\/\/douglasglover.net\/index.php?rest_route=\/wp\/v2\/pages\/39"}],"wp:attachment":[{"href":"https:\/\/douglasglover.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}